Morning Pages - The Bootcamp

Dawn on the River Thames, A Week In

 A week into Morning Pages and I find I rise earlier and see the dawn more often. My Morning Pages are already less bitter and less whiney. Of course, part of the point of writing Morning Pages is to free the creative channels of bitterness and whining. It's like a morning shower for the creative consciousness. It doesn't  matter one jot whether the mess on the page turns out to be vaguely readable or thoroughly vile. The point is to apply backside to seat and do them each day. Three pages is the recommended stretch, but I wonder whether each writer finds their own best length. The point is, it should be slightly more than you want to do. Keep going, no punctuation, no editing, be specific, allow the monsters to surface, then drive right on.

The Monsters Drive Right On

Having managed, some days with difficulty, to keep Morning Pages going, I admit that that a strange, tentative freedom creeps into my creative work. I've had some odd moments of synchronicity this week - yes, you dismiss them as coincidence if you will, but then, if I were going to deride the results of the Creativity Course there wouldn't be much point in doing it, would there? Sometimes the Morning Pages divert themselves into scenes from my novel, as though the subconscious, like Kevin when at Perry's house, (for Harry Enfield fans) has finally given in. 'Might as well do this writing thing then, and are there any Ginger Nuts please Missus?'

Dawn at Kings Cross Station

 I've begun to notice odd, whimsical things that only the child-like free spirit of oneself would find titter-worthy - for example, the hordes of adults who queue at Kings Cross station all summer,  paying out a fortune to have their photo taken by Platform Nine and Three Quarters, suddenly disappear - presumably to pack their own kids off to school. Which leads me to wonder whether, if I sneak up there one misty morning this week, will I hear the faint sound of that special chuffa train...

My dear friend Carmen, surely the most potent of creative enablers, bought me a great new notebook and three pens that positively snarl off the page. Carmen doesn't know I've started Morning Pages.  Or even that I'm a writer. Weird.

Pens that Positively Snarl

Finally, I received a birthday present, a much-longed for addition to the Pittam Towers arsenal which bowled me over, as I hadn't expected anything nearly so generous. It was a Kindle Fire which came with, amongst other things, a free download of 'Music for the Mozart Effect' - 'Unlock the Creative Spirit'.

So with synchronicity increasing and creative impulses beginning to stir again I feel ready for this week's challenge which is, I believe, the 'Artist's Date.'

                                                       

But something rustled on the floor,

And someone called me by my name:

It had become a glimmering girl

With apple blossom in her hair

Who called me by my name and ran

And faded through the brightening air

 

W. B. Yeats 1895-1939

 

Spirit of Summer Set Free

So, four days' creativity, no interruptions! Must get the plot for my 19th century novel down in scene-by-scene form. Britain is in the grip of a once-in-a-lifetime public holiday to celebrate the Diamond Jubilee of HM the Queen; ideal opportunity for writers like me to shake off the cobwebs and get out on the streets.

Began with bed & breakfast in the seaside town of Margate. Ye Gods, Margate Old Town serves the largest breakfasts in the world. Hugely full but content, I sit down at my window overlooking the bay, to focus on my story's timeline. It's become a monster, like one of those dogs that has to have counselling because it's become pack leader in charge of the human family.

I tell it to sit, nicely, and divide it into the classic three parts: beginning, middle and end. Traditional model? Boring? Hope not. We expect to know where a novel begins.

 I come up with 20 first lines, each supposed to set the scene for my hero's knife-edge journey through the book. 'Thomas scraped the horse-shit from his coat', maybe not. 'His lawyer was drunk again, and in the gutter,' perhaps. 'He heard the elephant's ankle bells, and dragged his brief from the gutter,' now I'm getting there.

Not aiming for perfection yet - that can come later. Just brainstorming the different ways I can get an over-view. It's a waiting game, sitting it out on the cliff-tops of the imagination. Since the seagulls are screaming overhead, and I've had absolutely no exercise since I got here, decide to follow take the stiff climb to the old castle, for 'Jack in the Green'.

I join the crowds, albeit nervously, for this most traditional of ceremonies - the day the Spirit of Summer is set free. Morris Dancers everywhere.

Challenge myself to jot down at least five different scenes, with summaries. They might be included in the first act. They might not. The point at this stage is get a body of material down, being patient, stalking the tale. I look up, and see that Jack, the old green man of winter, is about to reach a bloody end.

Finally, the summoning. New life is on its way.

Like the Morris Dancers in Margate, I saved the summoning until everything was ready. On the train journey back to London I have two hours, one ham sandwich and three cappuccinos' worth of energy in which to explore my main man, Thomas Tarling, and his desperate bid to escape the law.

You can find Margate here:

 

http://www.margateoldtown.co.uk/

Creative Integrity - Last Stand or Last Breath?

Good grief, what a week we've had here in London.  On the one hand, the final section of the last ever Harry Potter film premiered to riotous but peaceful success in theatre land. Fans young and not so young swarmed into the 'West End' of the city. They dressed up, they sat on the lions in Trafalgar Square and generally made no trouble at all.

On the other, Wapping Station stands deserted in the wake of the 'News of the World' phone hacking scandal which grew daily. The senior staff were declared to be the 'No. 1 Priority', while 200 or so clerical  and portering staff in the paper's offices in Wapping lost their employment. Wapping's not a rich part of London - at one time it was the site of the great London shipping trade. Fortunes were made from trade and export then, but not by the local people. They're not likely to prosper out of the demise of a newspaper empire either.

That's before we even start to consider the victims of this alleged atrocity - the families of murdered children, bereaved parents of serving soldiers, the Royal family - how the list grows and grows. Well, the truth pf it all will come out sooner or later.

It is, of course, easy to be sanctimonious after the event, and perhaps this is the moment to take stock, and ask if there's anything I am currently doing, or paying lip service to, 'because everyone else does.'

One thing I do remember is that J. K. Rowling, a decade or so ago, was ridiculed by some of the very journalists who now have time on their hands.  Rowling's crime? She stuck to her guns about what she would, and would not, put in her books. She was choosy about sponsors, about merchandising, caring more about the content of young minds than about money.  Yet what riches it brought her, in the end.

Jennifer Pittam is a winner of Coast to Coast Writing Competition and is working on her second novel.