Showing posts with label Writers' Fears. Show all posts
Showing posts with label Writers' Fears. Show all posts

Saturday 27 February 2016

Creative Writing Workshop Beats Black Dog



A Toilet of a Year

This has been a W.C. of a year. Battling with the anguish of bereavement and supporting my father through two operations, I find it tough to get back to writing.

People tell me to 'pull myself together' but have bugger all idea how I might go about it. Still, there is a gem of truth in those old wives' tales.

This week I pull myself together in three ways; 1) sign up for a creative writing workshop 2) start a fresh, new course and 3) win a prize for a piece of flash fiction. In a literary city like London there are loads of workshops available; large and noisy, intimate and searching, cosy and hilarious, stretching and expensive.  I choose one called 'Less Thinking More Writing'. It's run by JoJo Thomas on Sunday mornings. The atmosphere's creative and beautifully prepared, with fab fab home-made cakes and coffee.


Delicious Homemade Cakes
There is little critique. The extended a.m. session (4 hours for £40) is targeted towards creativity. Packed with exercises and perfect for a Sunday, the 'round the table' set-up with discussion and lots of funny, insightful reflection means that we all leave feeling positive yet gloriously stretched. 'I'll never view haddock in quite the same way,' says Huw, as we say goodbye. And neither will the rest of us.


Set in Torbay
 Last time I attended JoJo's workshop I turned one of the exercises into a teensy story which, to my delight, won first prize in a Flash Fiction competition. The judge describes it as 'beguiling', which was great. I can live with 'beguiling'.


 The flash fiction story is set in Torbay and I use the raw grief of my mother's death for this piece - better than boring everyone on the bus. The prize of £50 is a huge boost to my morale. This week's results may, according to JoJo, have produced a deliciously new, darker beginning to one of my novels in progress. Watch this space.


A Darker Beginning


There are three rules for writing a novel. Unfortunately no one knows what they are.
Somerset Maughan 1874-1965 



Sunday 13 October 2013

Morning Pages - The Bootcamp


Dawn on the River Thames, A Week In
 A week into Morning Pages and I find I rise earlier and see the dawn more often. My Morning Pages are already less bitter and less whiney. Of course, part of the point of writing Morning Pages is to free the creative channels of bitterness and whining. It's like a morning shower for the creative consciousness. It doesn't  matter one jot whether the mess on the page turns out to be vaguely readable or thoroughly vile. The point is to apply backside to seat and do them each day. Three pages is the recommended stretch, but I wonder whether each writer finds their own best length. The point is, it should be slightly more than you want to do. Keep going, no punctuation, no editing, be specific, allow the monsters to surface, then drive right on.

The Monsters Drive Right On
Having managed, some days with difficulty, to keep Morning Pages going, I admit that that a strange, tentative freedom creeps into my creative work. I've had some odd moments of synchronicity this week - yes, you dismiss them as coincidence if you will, but then, if I were going to deride the results of the Creativity Course there wouldn't be much point in doing it, would there? Sometimes the Morning Pages divert themselves into scenes from my novel, as though the subconscious, like Kevin when at Perry's house, (for Harry Enfield fans) has finally given in. 'Might as well do this writing thing then, and are there any Ginger Nuts please Missus?'


Dawn at Kings Cross Station
 I've begun to notice odd, whimsical things that only the child-like free spirit of oneself would find titter-worthy - for example, the hordes of adults who queue at Kings Cross station all summer,  paying out a fortune to have their photo taken by Platform Nine and Three Quarters, suddenly disappear - presumably to pack their own kids off to school. Which leads me to wonder whether, if I sneak up there one misty morning this week, will I hear the faint sound of that special chuffa train...

My dear friend Carmen, surely the most potent of creative enablers, bought me a great new notebook and three pens that positively snarl off the page. Carmen doesn't know I've started Morning Pages.  Or even that I'm a writer. Weird.

Pens that Positively Snarl
Finally, I received a birthday present, a much-longed for addition to the Pittam Towers arsenal which bowled me over, as I hadn't expected anything nearly so generous. It was a Kindle Fire which came with, amongst other things, a free download of 'Music for the Mozart Effect' - 'Unlock the Creative Spirit'.

So with synchronicity increasing and creative impulses beginning to stir again I feel ready for this week's challenge which is, I believe, the 'Artist's Date.'


                                                       
But something rustled on the floor,
And someone called me by my name:
It had become a glimmering girl
With apple blossom in her hair
Who called me by my name and ran
And faded through the brightening air
 
W. B. Yeats 1895-1939









 

Monday 21 January 2013

A Helicopter Crashed Into A Crane

So it's evening in London after a terrible, terrible day. This morning during the rush hour, a helicopter crashed into a crane, killing the crew and then falling into the street where it injured a number of pedestrians. As horrific accidents go, it wasn't the worst, except of course for the poor family of the crew. For Londoners like me, it brought back the full horror of the London bombings in 2007, although this accident was exactly that - a tragic accident.

A Terrible Day in London


In spite of the carnage, I'm in the Bear pub with a few writer pals. We'd arranged to meet and we thought, 'what will we do if we cancel - just sit at home moping'. Fear's like that - it causes you either to have ridiculous, exaggerated ideas of 'what could happen' or to freeze, and start skulking about like a hibernating bear trying for entry in the Guinness Book of Records.

Heroes & Villains, since 1714


The Bear's a great pub for writers, right on the edge of Chinatown and dating back to 1714 - before, frankly, there was a Chinatown. It's had a fair number of famous heroes and villains in its list of historical customers. We like the villains best.

We swap confessions about how little writing we did over the holiday period and scrawl our fears on a beer mat. The seven biggest writing fears, according to my latest fave rave 'Your Writing Coach' by Jurgen Wolff are: 'The fear of rejection, the fear that it won't be good enough, the fear of success, the fear of revealing too much, the fear that you have only one book in you, the fear that you are too old and finally, the fear of being overwhelmed by research.'

We scrawl our fears on a beer mat

Twitter revealed even more - 'don't know how to end my story,' replies one follower. 'You've got it lucky - don't know how to begin mine,' another grumps. Sensing that the war's about to go viral, we bring out our manuscripts, sheepishly at first. Within moments, we're hooked - desperate to hear more about the characters we've missed over the holidays. Dan's writing a dark, dark story as usual, and Rob's still on his never-ending novella about his hero Vordek's unlikely conquest of the fair sex. Ruth's story of a time-travelling witch has spanned another few centuries whilst Ivy's memoir set in the Port of London, early 20th century, thrills and horrifies us.

We're a supportive lot but very frank. 'You know he's going to be a virgin all his life,' Brad tells Rob, which makes Rob blush painfully. We've all guessed who the real Vordek is. 'Do you think they'd just carry on eating if the cross-bow had speared the servant-boy at dinner?' We wonder. Ruth sucks her pen and agrees that the scene is unrealistic. 'I'll have them take a swig of scrumpy after,' she decides. Her West Country accent is always deeper when she thinks of scrumpy jack (cider, for the uninitiated). We all howl, and so do the rest of the customers in the bar. Our writerly gatherings aren't designed to attract attention, situated as they are in a quiet snug at the back on the quietest night of the week, but invariably, they do.

Ruth's Notebook & Pen
Gradually the noise in the bar drops to a hum, and then to dead silence as Ivy begins to read. Her voice and reading style remind me of the Primary School teacher she was for four decades, and the years of 'Friday afternoon story time' reading aloud have honed her vocal chords. They've lost none of their power. Her story tells of little things - of the days when a mother could die in childbirth, as easy as anything; of the dockers and how they'd break open a crate of oranges and throw them to passing, malnourished urchins; of family pride, of two world wars - one her parents', one her own; and most of all of love. Rough, often unspoken, many times passed off with a joke, but love just the same. When she finishes, and removes her specs, the applause is spontaneous, a wall of sound.

The Old London Dock Gates


It's time to go, and we do it with hugs, and quiet gratitude for the companionship of those of kind. When you've got that, writer or not, fear seems a petty foe indeed.

Courage comes when you make demand - not sooner, not later but then
Leo ~ The Blue Book Writings 

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